A Boot-full of Wine
Tasting notes from Italy (and beyond)
2 May 2011
While I do not claim to be an expert on Burgundy or its wines, I can say that I have had a long-held passion for Burgundian pinot noir. After my recent and only visit to Burgundy, I can now say my passion extends to the place also.
Beaune almost bisects the Cote d’Or, with the line separating the Cote de Beaune from the Cote de Nuits a little north of it, and is a great base from which to explore the area. A small town, well set up for wine enthusiasts, it has a myriad of boutique wine shops, traditional restaurants and accommodation options. Beaune itself is a short train ride from Dijon, in turn accessible from Paris (about 2 hours by train).
I chose to stay in a bed and breakfast close to the centre of the town of Beaune, and do not think I could have made a better choice. The rooms offered by Chez Marie were clean and well decked out – at a 4-star hotel standard. Her breakfasts – replete with fantastic coffee, crispy French bread and home made preserves – gave me the sustenance required for the days of wine tasting and touring that followed.
As for a tour operator, I do not think that you can find a better one than Cristina Otel and her partner Christian Knott. Both are winemakers in their own right, Christian hails from Sydney, and both have worked vintages in Margaret River and France. Their company, Taste Burgundy, organizes tours for those with more than a modicum of knowledge about the area and its wines. A third staff member has just joined their team.
They are able to book appointments for you directly with producers, and drive you to them, providing translation while there. In truth, much more is provided – Cristina’s interest is in giving you a complete cultural experience of the area, including visits to the markets and specialty shops, the important Grand Cru vineyard sites, and the Hospices de Beaune (once a charitable almshouse and now a museum, and a must see).
Cristina and Christian’s passion for the wines of Burgundy, their attention to detail, and ability to put both hosts and clients at ease, makes for an in-depth experience.
What then will you find when you visit the local producers? Here, our focus was on small vignerons, and not large negociants. Well, there are those who vinify their pinot noir with a proportion of whole bunches and those who do not. There are those who use a majority of new oak, and others who do not. Some who use battonage for their whites while others who do not. Some who do a cold pre-fermentation maceration. You will find a range of fermentation temperatures and times employed. And all will tell you that what they do depends on the vintage and the quality of the fruit.
So you will encounter many a formula of how to make good red and white Burgundy. However, and most importantly, each producer will have a well thought out philosophy guiding his/her thinking. As an example, Thierry Violot-Guillemard uses 80% new oak for his pinot noir, yet the oak flavours are in no way overwhelming – he uses oak which has been seasoned for a lengthy 4 years. His reasoning? It allows him to leave his wines on its lees without having to rack or disturb the wine – both malolactic fermentation and sur lie are reductive processes – the newer oak results in greater oxidation as a counter, and therefore he does not have to touch the wines. He believes the less the wine is handled the better. The result? Silky powerful pinot noir, stunning at each quality level.
Those who made the greatest impression? Thibault Liger Belair – a young, and up and coming genius, who works biodynamically, for the sheer restrained power and complexity of his reds. Thierry Violot-Guillemard – for his engaging personal story, his warm generosity, and his silky pinot noirs. Blair Pethel (Domaine Dublere) – an American turned Burgundian – for his linear and true wines, especially his whites. And Gérald Cacheux (at Domaine René Cacheux) for his down-to-earth personality and down-to-earth wines.
Ciao for now!
Brendan Jansen